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Description
Let¡¯s take a look at the construction features of the dbx¢ç 223XL. As you turn the controls you will notice
that these units are extremely well built. The controls exude great precision, and the feel is a solid
¡°click¡±. Also, when you open the box, you won¡¯t find the external power supply that accompanies most
processors in this price range. That¡¯s because we know how difficult external power supplies can be to
work with and even though it costs a little more, we put the high quality power supply right in the unit. All
the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of
the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it¡¯s not
going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave
filters, the professional standard. But then again, what did you expect?
Via a switch on the back panel, you first select whether you¡¯re operating your system in stereo 2-way or
mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF
(subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier
power and because low frequencies are non-directional.) Back panel switches allow you to select the
range of the crossover frequencies individually for both channels. The crossover frequency controls
have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn¡¯t make
you check the switch position on the back every time you wonder where it¡¯s set). All these switches are
on the back panel because it could be disastrous if you were to change them mid-program. On the
front panel you¡¯ll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each
channel has an input gain control for proper level setting. There¡¯s a recessed 40 Hz low cut (HPF) on
each channel to remove unwanted low frequencies. Both the low and high outputs on each channel
have a gain control ranging from -infinity to +6 dB to allow muting of individual outputs and for level
matching. Also, these outputs each have phase reverse switches that will help get you out of a bind
without having to reconfigure your system. These phase reverse switches may be internally
reconfigured as mute switches.
You¡¯ll get great performance, all the features you¡¯d expect from a professional product and the
knowledge that you¡¯re buying a processor from the people that have been producing the worlds finest
processors for over 25 years. The technology that made us famous brings you a dbx crossover that
has been tested to the highest professional standards at a price that¡¯s just too low to admit!
Features
• XLR balanced ins and outs
• Mode switch for stereo 2-way or mono 3-way operation
• Low frequency summed (subwoofer) output
• x10 range switch on both channels
• 40Hz high pass (low cut) filter both channels
• Phase reverse switch on all outputs
• Individual level controls on all outputs
• 24dB per octave Linkwitz-Riley filters (the professional standard)
• Stereo/Mono status LEDs indicate the selected mode
• dbx¢ç 2 year parts and labor as standard
• CSA NRTL/C approved
• CE compliant
Specifications
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